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All That Good Food: Plates for the Homeless COUPLES

Three homeless couples sleep in an empty duplex in the east part of St. Cloud, Florida. Two couples are in their late fifties. The third couple is in their seventies.

 

Two of the men are military veterans. Their physical damages, from serving in the Afghanistan War, are not considered severe enough to qualify them for help from any of those TV-publicized organizations for veterans.

 

In November of 2017, the owner of the duplex learned about his “guests.” He had the utilities turned back on through April of 2018.

 

My mother heard about the couples, while helping her local Friends of the Library group host its annual luncheon for the library staff.

 

So, what did she do?

 

An hour or so after the event ended, she went into the library staff’s kitchen. And, she fixed plates of leftover food for those three couples.

 

For each person, she fixed a plate with the following: a 3-inch sub sandwich, fresh (finger) veggies, fresh fruit sections, a tomato slice and large spoonful of cut lettuce, a few Dorito chips, and, a large spoonful of popped corn. Plus a thick, creamy-frosting topped cupcake, dropped into a foam cup for safer traveling.

 

Then, she took the two plastic bags of plated food to the nearby trailer park resident that knew the couples’ location.

 

Did my mother do the right thing?

 

After the lunch, a large quantity of food remained. After she fixed those six plates, a lot of food still remained for the library staff to munch on later.

 

Hopefully, why what Mom did – and how she did it – will count for something.

 

Christmas season or not, people need to eat to keep up their strength. And to avert more serious health problems. People over age 55 tend to have less reserve. Thus, they need to eat regularly and healthily. Preferably more than once a day.

 

When word about the couples reached my mother’s ears, she knew what she needed to do.

 

Even if it meant leaving a ten-twenty dollar donation in the Friends of the Library’s “Jack Lynn Sorting Room” at the local library. (Which she’d do anyway.)

 

Even if it meant that she needed to inform the rest of her group about what she’d done. (Which she’s doing today.)

You see, until a year ago, all three men were able to work at least part time. One, in fact, as a residential painter. Now, only one of the men is able to stand or walk more than fifteen minutes at a time.

 

I’d like to say that Mom’s spontaneous, though unauthorized, act of kindness, on behalf of the group, was 100 percent okay. I don’t know for certain.

 

What my mother learned this morning, from that trailer park resident, makes me glad about things like the possible hidden opportunity that all that food provided.

 

Simply put: A need could be filled. Immediately.

 

HOW OFTEN DOES THAT HAPPEN WHERE YOU LIVE?

 

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Stepping out of one’s comfort and safety zone, for others, can be a sure step for society.

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Best regards. And thank you for clicking on “Painting with Bob.”

Copyright 2017. Robert D. Hajtovik. All rights reserved.

The Pianist, The Painter, The Singer, The Statesman

Periodically, my mother’s interior design class toured Chicago area properties.

On one, day-long tour, they visited three luxury homes that set on Evanston’s high bluffs overlooking Lake Michigan.

One home featured fine examples of classic contemporary design: simple lines, solid colors, smooth finishes, subtle textures, geometric patterns, and sleek woods, tiles, glass, and chrome.

From its trimly landscaped and broadly sweeping circle driveway, to the double set of solid red lacquer front doors, to the nine-foot main hallway that trailed through the house, to the four glass doors at the rear, that overlooked the lake.

The sprawling, one-story structure suited its owners: a concert pianist and conductor, and his wife, an artist and author.

The music room stood out. Its two most striking amenities: the magnificent black lacquer Steinway concert piano and the 12-inch square, black and white marble tiles that covered the floor.

Features also included the following:

1. dome ceiling with a huge globular skylight;
2. solid black marble fireplace;
3. two walls lined with white-enameled bookcases, stuffed with books, bound volumes of sheet music, also wood and ivory artifacts;
4. couches and easy chairs upholstered in matching white-on-white striped damask.

All of the other sixteen rooms featured equally elegant, yet comfortable appointments. It was a home that clearly represented the personalities of the owners, and met their needs perfectly.

Shortly before the design school students’ visit, the owners had decided to retire in that house. And, they’d put their South Florida home up for sale.

Nearly twenty years after touring that home, my mother was led into the luxury apartment of a former opera star, Adeline Arrigo. Interestingly, she had performed with the concert pianist on philharmonic stages throughout the United States, Canada and Europe.

Madame Arrigo resided on the second story of a red brick, three-story walk-up built in the early 1900s by her husband’s Sicilian family. The South Racine Avenue building, located on the southeast side of Chicago, set across the street from University of Illinois’s Chicago campus. And, the three-story building had five large apartments – all occupied by “Arrigos.”

The focal points of the two bedroom apartment were the portraits of Adeline and her husband, the late Victor Arrigo. On every wall, every shelf and every table top were representations of the owners famous lives. Adeline, the opera star. Victor, the Illinois statesman that drafted, then championed the Federal Fair Credit and Collection Act. (Note: A stronger version of the law is in effect today.)

The traditional apartment also featured:

1. 12-foot high, white-sponged stucco ceilings;
2. white plaster, also deep red painted, walls;
3. tall wood-paned windows in each of the eight rooms;
4. white marble, wood-burning fireplaces in three rooms;
5. crystal chandeliers;
6. lustrous hardwood floors; and,
7. large oriental area rugs depicting eighteenth century country scenes.

The apartment was appointed with elegant, yet comfortable seating in every room. In the living room: deep red velvet-upholstered sofas, and black leather fireside chairs. In the bedrooms: European-designed settees and chairs, covered in deeper pink or soft rose moiré. Plush velvet upholstery covered the dining room chairs. And hand-sewn satin, moiré, and crushed velvet pillows set on every piece of seating.

The two distinctive period homes – the sprawling contemporary house of the 1960s-1970s, and the large traditional apartment of the 1940s-1950s – provided a very similar peak into elegant yet understated living. In their respective spaces, the owners and residents had created environments that supported their need for creative thought, good taste, peace and contentment. All had surrounded themselves with meaningful symbols of who they were as persons. And, what they represented.

The Chicago area featured many architectural and design masterpieces. I never had the privilege to visit the residences described above. Yet, I have had the opportunity to work on many similar homes. In doing so, the greatest pleasure has been in meeting the unique persons that have lived there.

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Fine design deserves to be preserved with the hand of a fine painter-craftsperson.
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Thank you for visiting “Painting with Bob.”

Copyright 2017. Robert D. Hajtovik. All rights reserved.

WHY PAINT?

Artist Bob Ross used to say, “Painting should not be agony.”

I agree.

Over the years, I’ve met and/ or worked with construction industry painters that fit into one of these categories:

1. Some painters loved what they were doing; and it showed in their work, and their attitude about life.

Example: “Bob, the Painter,” my father, smiled a lot on the job. And often he stopped to admire others’ workmanship… to watch a bird in a nearby tree…to double check his own work.

2. Some painters, overall, liked to paint, and seemed to be fine with the likelihood that they’d be doing it for years in the future.

Example: Jesse hummed on the job… drank, and tried to share, cantaloupe juice made by his wife… took on any task that needed to be done.

3. Some painters liked to paint and did a good job; but they wanted to do something else career-wise, and to earn a living.

Example: Larry and Wayne wanted much more independence than a foreman painter had. So both went into contracting, and demonstrated that they were okay with the added responsibility that entrepreneurship required.

4. Some painters really didn’t like to paint; but they lacked the will, nerve and resources to try anything else.

Example: “W” dreamed of doing something where he could visit more with others on the job, and get paid for it. But, he had no real support system in the U. S. to help him try something new.

5. Then there were a few painters that had an intense dislike for painting, and much associated with the trade. And, increasingly, they demonstrated their disdain and discomfort.

Example: W.R. complained about everything, it seemed. He showed up intoxicated… violated safety rules…put crew members at risk…misused products.

What each of those painters knew about their jobs was complemented, or contradicted, by their respective attitudes about painting, and their own lives.

Which painter would you like to work with on a regular basis?

Into which category do you think that others might place you?

Into which category do you believe that you really fit?

Something to think about, right?

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Whatever you do for a living, including painting, give it your 100 percent at least 85 percent of the time. The remaining 15 percent? Take a good look at how you’re doing, and why.
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Thank you for visiting “Painting with Bob.”

Copyright 2017. Robert D. Hajtovik. All rights reserved.

Painting It: An Author’s Painter – and Movie Sets

An author’s greatest reward can be seeing one of his or her novels reach the big screen.

A handful of novelists have had more than three of their works turned into a full-feature film.
Few of these novelists write the screenplay version of their novels. More of them do, these days, serve as technical consultants during the filming of their stories.

Earlier this year, one of these prolific authors of popular film stories got his house painter and decorator a job as a painter on the set of a movie.

Let’s call him “Joel.” The man mixed and matched the paints. Then he painted the movie set’s exterior buildings, store fronts and related areas; also the interiors of many sets. It was meant to be a very temporary gig.

Three-and-a-half weeks into the project, the construction crew’s lead painter was in an accident, and couldn’t work. “Joel,” the temporary set painter, who was a seasoned commercial painter and decorator, was put into the lead job.

At the end of filming, the author came along. He offered the temporary painter a full-time, steady job as a movie set painter. Particularly the sets of the author’s film projects. And, this author always tends to have one of his novels heading for or already on a movie set somewhere.

“It was a lot of fun,” my old painter friend told me while visiting in Florida in early July. “Being around all that action… some great actors… very talented, skilled craftspersons and artisans. That was great.”

The man’s eyes dropped to the paint color chips in my hand. And the two, 5-gallon buckets of paint at my feet.

“This,” he pointed around the paint store, “is me.” Then, he grabbed one of the heavy paint buckets and walked out to my ‘87 Chevy Blazer. The subject of movie-set painting closed!

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The mark of a real pro is often the little things that he does, and the big decisions he makes, along his way.
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Thanks to all readers and followers – visible and hidden – of “Painting with Bob.”

Copyright 2017. Robert D. Hajtovik. All rights reserved.

Four Unusual Guest Rooms in Un-ordinary Locations

1. FOCAL POINT: Red iridescent 1967 Mustang life-size mural. Air-brushed and hand-painted on 42-foot north wall.

Lodging type: Private inn with 8 bedrooms and 5 bathrooms.
Structure: Former Amish farm house.
Location: Northeast Indiana.
Room’s description: Third floor attic suite. Dimensions: 24-feet wide by 42 feet long.
Light source: Two dormers on front and back sides, one on each end.
Floor: Smooth-planed, tongue and groove hardwood. Note: more than 130 years old.
Walls: Drywall. Finish: White Snowfall, Color No. SW 6000 semi-gloss latex.
Ceiling: Drywall. Finish: Two layers of clear faux glaze over white flat base coat.
Paint products manufacturers: Sherwin-Williams; also Liquitex Acrylic Artist Paints.

2. FOCAL POINT: Panoramic re-creation of rare books reading room in Newberry Collectors Library, Chicago. Custom wallpaper mural wraps around 32-feet north and 22-feet east walls.

Lodging type: Hostel catering to travelers ages 60 and over; 8 bedrooms, each sleeping 7-8.
Structure: Abandoned industrial warehouse.
Location: West side of Chicago.
Room’s description: Second floor. Dimensions: 32-feet by 22-feet.
Light sources: 4 large, 18-paned steel-framed swing-hinged windows.
Floors: Wall-to-wall commercial grade carpeting over hardwood. Pattern: Salt-n-Pepper-neutrals.
Walls: 3 – Bare concrete block, smooth floated. Finish: Stain: Softer Tan, Color no. SW 6141.
Mural wall: Drywall installed, then white latex base coat rolled on two weeks before mural hung.
Ceiling: Dropped 18-inch frosted tiles, grid frames.
Furniture: Twin-sized bed foundations made from shortened oblong library tables; small reading tables became bedside/night stands.
Paint products manufacturer: H&C/S-W (concrete block walls); Drywall base coat.

Personal note: At age twelve, I visited the Newberry Library for the first time. Six years younger than the required minimum age of eighteen. I filled out a form requesting a book to read, I was seated at a table. A library concierge brought the volume, and placed it on a small table-top easel in front of me. She showed me how to turn the pages by using a special wand with felt tips. Note: All works had to be read there.

3. FOCAL POINT: Two Brown bear cubs in Wisconsin north woods scene. Life-size mural covers 24-feet long wall.

Lodging Type: Extended-stay family motel, that accommodates traumatic brain injured children.
Structure: Former two-story elementary school.
Location: North Appalachian Mountains.
Room description: First floor. Dimensions: 24-feet by 32-feet, part of 3-room suite plus bath.
Light source: Skylights.
Floors: Wall-to-wall commercial carpeting. Pattern: Houndstooth. Colors: Med-to-forest greens.
Walls: Smooth-floated plaster. Three walls painted Emerald Line: Cotton White, Color no: SW 7104, tinted with Byte Blue, Color no. SW 6498.
Ceilings: Dropped white pearl frosted acoustical tile squares set into flat white grid frames.
Paint product manufacturers: Sherwin-Williams; Liquitex Acrylic Artist Paints.

The Process: I installed the custom woodland mural onto the 18-feet by 32-feet wall facing south. Then I hand-painted and air-brushed both cubs into the foreground, using the designer’s template. By the way, the woods scene was a reproduction of a photo taken by the property owner. He was a freelance nature photographer for The National Geographic Society.

4. FOCAL POINT: View from the top of Jack’s Beanstalk. Hand and air-brush painted.

Lodging type: City inn.
Structure: Former 23-room luxury apartment.
Location: West Central Park, New York City
Room Dimensions: 15-feet by 26 feet
Light source: 2 tall adjacent windows overlooking the park.
Walls: Drywall. Painted white semi-gloss latex base coat; then two layers of faux stippling glaze: 1 part White Mint, color no: SW 6441, 3 parts Cotton White, color no. SW 7104, semi-gloss latex.
Ceilings: Popcorn texture, pin-dot effect. Paint: Cotton White, color no. SW 7104.
Paint products manufacturers: Behr’s; Grumbacher Acrylic Artist Paints.

The Process: A graphic designer sketched the Jack’s Beanstalk design on paper first. Then, a projector shot the image onto the wall. The same designer used colored chalk pencils to “trace” that image. Next, she used an air-brush spray system to paint the design. The painted mural was allowed to dry and settle for two days. Last, the artist sprayed on a fine coat of clear glaze mist.
THE EFFECT: Like looking through the clouds.
Paint products manufacturers: Glidden’s; Liquitex Low-Gloss acrylics.

Most painters and decorators envision the unusual and unique projects they’d like to have a hand in creating.

A Few Tips for Getting Started in Design-Mural Painting

1. Explore these outlets during your off days, and hours.
2. Decide which type of creative project really interests you.
3. Practice the special techniques required. If you can afford it, take a high-rated class at your local art school. Opt for a professional artist-instructor. Check out background, credits, awards.
4. Study recognized designers-muralists. Their backgrounds, styles, methods, paint selections.
5. To start out, you may want to work under an experienced creative painter/artist on one of his or her projects. Recommended: Help on your off time. Keep the day job.
6. When ready to “solo,” work on these special projects on the side. Start with simpler designs.
7. Leave your regular painting job behind only if and when you have a solid potential client and project base established. And, if and when you want to make that career change.

My view: Hand-painted murals are a gift to the surface… the atmosphere… the viewer!

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Thanks for being here on this planet. And, thanks for visiting “Painting with Bob.”

Copyright 2017. Robert D. Hajtovik. All rights reserved.

Paintshop: Decorative Painting Brushes and Tools

 

 

 

 

 

 

 

DECORATIVE PAINTING TOOLS in PHOTO ABOVE.*

 

No. 1. Steel combs. Uses: Dragging, wood graining.

No. 2. Palette knife. Uses: Mixing artist’s acrylics or oils; scraping away paint, glaze in areas.

No. 3. Dragging Brush/overgrainer. Features: natural bristles one side, thick nylon bristles other.

No. 4. Badger-hair Brush. Uses: Smoothing oil glaze.

No. 5. Long-haired Spalter. Size 80. Uses: Smoothing oil glaze.

No. 6. Short-haired Spalter. Size 100. Uses Applying oil glaze, then smoothing it.

Nos. 7-8. Small Spalter/Mottlers. Sizes 40, 50. Uses: Wood graining, smoothing oil glaze.

Nos. 9-10. Toothed Spalters. Special oil brushes. Uses: Wood graining.

Nos. 11-12. Small, flat Brush/white nylon. Uses:Marbling, touch-ups, freehand painting acrylics.

No. 13. Small pointed round Brush/white bristles. Uses: Touch-ups, thicker veining marbling techniques with acrylics.

No. 14. Flat long-haired Brush/nylon. Uses: Marbling, fine detailing in acrylics.

No. 15. Long-haired Brush/nylon. Uses: Marbling with acrylics.

No. 16. Small pointed Brush/nylon. Uses Fine veining when marbling with acrylics.

No. 17. Long-haired Ox-Hair Brush. Uses: Marbling, woodgraining, freehand script and ornamentation (lines of varying thicknesses). TIP: Best with oils.

Nos. 18-19. Flat, White Bristle Brush. Uses: Marbling, woodgraining, corner touch-ups with oil-or-water-based paints.

No. 20. Flat long-haired Badget Lettering Brush. Uses: Marblig, freehand painting. TIP: Oils.

No. 21. Ox-hair Sign Painter’s Brush. Features: Long-hair cut flat at end. Uses: Marbling, freehand (for clean edges) in oils or acrylics.

Nos. 22-24. Stencil Brush. Feature: White bristles, slightly softer. Uses: With oils or acrylics.

No. 25. Round/oval thick nylon Brush. Uses: Spattering; coating thin, curved surfaces.

No. 26. Flat nylon Brush. Uses: Paint latex base coat, also acrylic glazes; baseboards, chiseling.

No. 27. Angled nylon Brush/nylon. A better quality brush. “Pre-used” in factory, leaves fewer marks. Uses: Latex painting, cutting in lines, hard-to-reach surfaces.

No. 28. Small flat, long-haired Brush/white bristles Uses: Oil paints.

No. 29. Flat 2 1/2–inch Brush/white bristles. Uses: Oil-base coating; squared-off ends; general purpose; precision edges,/trims.

Nos. 30-32. Round Bristles/white. Uses: Oil glazing; oil-based painting. TIP: Use separate brushes for separate functions.

No. 33. Well-worn round Brush. Uses: Stirring paints.

 


Decorative painting can create warm, personal spaces from bland, contemporary walls. It can create focal points out of any surface such as doors, trim, woodwork, even ceilings. It can create masterful heirlooms from worn, discarded furniture. It can transform jeweled and gold-leafed treasures from thrift shop and yard sale finds.

 

Decorative painting – creating the “right surfaces” – can make a room, area or piece come alive.

 

  1. Underscore or downplay its assets, and camouflage its drawbacks.
  2. Add new life, a new feel.
  3. Blend the old with the new – family antiques with store bargains.
  4. Make newer surfaces appear very aged, hundred-to-centuries old.
  5. Create a special, and different, touch with every applications, every tool on every surface.

 

With decorative painting, you can create a signature piece from every piece.

Decorative painting differs from standard interior painting in three distinct ways:

 

  1. Paints used. On top of two layers of interior paint, you apply two thin coats of transparent paint – “Glaze” – that you mix, then tint to the desired hue.
  2. Colors. At the heart of decorative painting, especially when carefully chosen and properly mixed. Produced by blending wet paints on palette, then placing translucent layers atop an opague base/ Result: Resonance, depth, a subtle glow as mixing.
  3. Pattern. The way you apply glaze contributes to uniqueness of each application. Using a wide array of tools, multiple shapes and sizes. You manipulate the glaze while wet to form patterns or different broken-color effects (eg. ragging, combing, sponging, flogging).

 

Decorative painting calls for creativity, skill, and patience. It alls for paint and finishing products that suit the surface and areas. It calls for the appropriate tools to achieve the desired pattern, texture, finish, and effect.

 

IS DECORATIVE PAINTING A GOOD OPTION FOR A SURFACE WHERE YOU PAINT?

 

Are guests of your hotel ready for unique surroundings and surface embellishments?

Are the patients and staff of your hospital looking for alternatives to the opague paint colors on the walls and in public areas?

Are your commercial clients seeking a personalized alternative to wallpaper?

Or, does your private customer want something other than the area rug to dress up a wood floor?

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* Photo and descriptions from: Recipe for Surfaces: Decorating Paint Finishes Made Simple. Text by Mindy Drucker and Pierre Finkelstein.** Photographs by Tony Cenicola. Copyright 1993, Quarto Inc., Fireside Books, Simon and Schuster, N.Y., pp. 42-43.

Mindy Drucker is a freelance writer, specializing in design and home decoration topics. Pierre Finkelstein is a master decorative painter. He is recognized worldwide for his skill in applying standard, matching existing and creating custom finishes. Born in Paris, he owns Grand Illusion Decorative Painting, Inc., New York City.

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“Painting with Bob” appreciates that you are following.
Copyright 2017. Robert D. Hajtovik. All rights reserved.

Painting It: Susika’s “First Real Bedroom”

 

Susika was a ten-and-a-half year old when we met. Her aunt and U. S. Marine uncle had brought her home with them, after the mass family funeral in the Middle East. On the plane, they promised her a “real bedroom.”

 

Uncle “J.J.” and several handy friends knocked out a wall to add six feet to the small 10-feet by 9-feet space.

 

Here’s how they outfitted what Susika called her “first real bedroom.”

 

  1. On 15-feet window wall: Built in a window seat, with bookshelves on each end, and two roomy, half-cupboards underneath.
  2. On each side of window seat unit: A roomy closet: one for clothes, the other for her “stuff.”
  3. On other three walls: Wall rails and one-half wainscoting.
  4. Floor covering: Wall-to-wall, commercial grade carpeting: Colors: Pastels in pink, rose, cranberry, mint green, forest green. Pattern: Splashes and Swirls.
  5. Bed Furniture: Wood twin bed, 6-drawer dresser, 2 night tables. From uncle’s elderly neighbors.
  6. Old wooden desk and chair. Shared by her mother and “J. J.” as children.
  7. Small arm chair. Once used by older cousin, now in college.
  8. Toy chest. Originally belonged to her uncle.
  9. Bean bag chair, vinyl. Color: Hot pink. New. A gift from that cousin in college.
  10. Four-shelf, three-drawer unit. For stuffed animals and dolls. Yard sale purchase.
  11. Bulletin-White board. For hanging above desk. Purchased at Wal-Mart.

MY JOB: Paint and finish coat everything paintable. And, there was a lot.

 

Susika chose her new room’s paint colors from Glidden’s® “Make It Magical with Disney” line.

(For information: www.disneypaint.com.)

Color scheme: Soft white, pastel pinks and greens, also tinted forest green.

Paints used: Interior semi-gloss and high-gloss latexes; also artist acrylics.

 

SURFACES and AREAS, COLORS

 

Ceiling: Glidden Color No. WDPR03. Color: A Wave of the Wand. Finish: Popcorn textured.

Upper and built-in walls, closets: Color No. WDPR03. Color: A Wave of the Wand (tinted Pink).

Rails, vertical wood wainscoting, doors, trim; also window and cupboard doors: Color No. WDPR08. Color: Fairest of Them All.

Furniture: Color No. WDPR10. Color: Water Lily.

33-year old 4-shelf/3-drawer unit: Base coat Color No. WDPR03. Color: A Wave of the Wand; Glazed Top coat: Color No. WDPR10 Color: Water Lily. Faux application: Random sponging.

Tops of dresser and night tables: 2-coat Faux glaze. Coat 1: Color No.: WDPR10. Color: Water Lily; Coat 2: Color No. WD FY05. Color: Fairy Flight. Faux application: Sponging, Ragging.

Built-ins and Window Seat Wall: Natural Stain; Sealer/Finish coat: Low-gloss polyurethane.

 

The entire painting project took a little more than a week. I used a large, cleaned out shed to re-finish the furniture pieces. It was equipped with central A/C. All other surfaces and areas were primed and finish-coated inside of the room.

 

PRODUCT MANUFACTURERS
Paints-Primers, finish coats: Glidden’s “Make It Magical with Disney.”

Stains, finish coats: Miniwax sealers, stains, varnishes, polyurethanes.

Artist Paints/Detailing: Liquitex Acrylics.

 

Painting and decorating children’s rooms is a lot of fun. Especially, when the painter is included in the project from the theme, design, color, and pattern selection stage.

  1. Every project is different. Every child’s preferences and needs are unique.
  2. The elements – theme, design, color, pattern – vary a lot.
  3. The products and materials used, in combination, are always one-of-kind.
  4. Working creatively within the budget draws on untapped energy, imagination and resources.
  5. A special sense of satisfaction bubbles forth as a child’s “special space” takes shape.

 

ABOUT SUSIKA
Susika’s completed room was very special for an added reason. She was a war orphan, legally adopted by her only living adult relative: an American military officer. Susika’s mother, the military officer’s sister, was an American educator that taught the children of enlisted officers stationed in the Middle East. Her father was a U. S. educated Middle Eastern professor and administrator.

 

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“My own room! It’s like having my private place in Heaven.”   Susika

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Thank you, fellow painters and decorators, for brightening the lives of others.
And, thanks for visiting “Painting with Bob.”

Copyright 2017. Robert D. Hajtovik. All rights reserved.

Decorative Finishing: The Lacquer Table

My childhood home had been an antique shop previously, in the 1950s and early 1960s.

 

Luxurious oriental wallpaper – black silk textured panels – still covered the walls of the largest room. An elegantly dressed Geisha knelt in the center of one of the panels, bordered in etched goldleafing.

 

All of the wallpaper was faded and worn from age. Each panel bore the signs of water damage.

 

On the longest wall was depicted a Teahouse scene. A dainty china tea service set on the low, glass-smooth black lacquer table. For seating, large silk-covered pillows were arranged on the floor. Rice paper sliding door panels could be seen in the background.

 

I did my homework, seated in a red-enameled, round-backed cane chair. Pulled up to a restored circa 1940s oblong, drop leaf table. My wandering eyes floated toward that Teahouse scene. Specifically, the lacquered table.

 

I promised myself that I’d decorate my first dining room in the oriental style.

 

In my early 20s, the inspiration came to design and build a small Oriental table, out of ebony wood.

To get the perfect black, lustrous finish, I applied nine coats of Glidden’s high-gloss enamel. Each coat was allowed to set and “cure,” at least four hours. Then, I did a light and thorough damp feather sanding with No. 1000 sandpaper. Followed by a complete surface “wipe,” using a barely damp, soft muslin cloth.

 

In 2010, the need for a laptop computer table motivated me to build a “lap table” sized version of that lacquer table. I did not apply as many coats of the black, high-gloss finish enamel, because of the lack of workshop space. And, the curing/drying time between coats was reduced – according to outdoor environmental conditions.

 

The mystique remained for the sleek, elegant oriental décor. Yet, a deeper appreciation for the natural in furniture finishing, refinishing, and restoration work had taken over.

 

In early 2013, a couple from Asia stayed at the hotel for over ten days. They were purchasing a second home in Celebration. They showed me two photos of a badly abused, 52-inch square table that came with the house.

 

The couple wanted to shorten the oak table, to 20-inches in height. Then, they wanted to refinish the table. To a mirror-smooth black lacquer. They wanted to do the entire project themselves. With a little guidance from me.

 

The husband and wife team turned out to be very talented. And handy with tools – painting, decorative finishing, and power.

 

One day after work, we met at their new house. A sprawling two-story, with many porches and balconies.

Using a level and steel ruler, we measured and marked the table legs for shortening. By my next visit, the couple had sawed down the legs. Also, they’d carefully cleaned and sanded every inch of the table.

 

At their request, we actually video-cammed the basic procedure:

 

  1. Repairing the table’s cracks, gouges, splinters, etc.
  2. Filling and smoothing out all surface imperfections.
  3. Dry and moist sanding the surfaces multiple times.
  4. Applying a very thin white sealer/primer.
  5. Applying five of the nine finish coats – with very fine, and gentle, sanding between each.

 

By the time the couple applied the fifth finish coat themselves, my job was completed. They had mastered the finishing process, at a high, non-professional level.

 

I never saw the finished Lacquer table. Until June of 2015. The couple and I spotted each other at a Home Depot. They invited me to their home the following week.

 

Upon my arrival, they urged me to take a very close look at their work.

 

“What a beautiful job!” I excitedly told them. And it was!

 

At their beautiful table, they served tea and homemade shortbread wafers, on a set of hand-painted china.

 

By the way, the Lacquer table sets in the middle of their traditional, oriental dining room. In their traditional, oriental decorated home.

 

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Some of the best decorative finishing is done by the most surprising craftspersons.

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Thank you, Tau Hong and Sum Li.

And, thank you everyone for visiting “Painting with Bob.”

Copyright 2017. Robert D. Hajtovik. All rights reserved.

Renovating It: 108-Room Hotel

Cousins in the Indianapolis area purchased a 108-room hotel that needed a complete renovation. Structurally, both buildings were solid. No rotting, cracks, holes, breaks, etc.

 

The improvements could be made in stages. So the new owners decided to follow the wild suggestion of the drywall foreman under the construction management company:

 
“Replace nothing that still works, or can be restored. Unless it does not meet code…”

 

STAGE ONE: Bringing the entire property up to code.

 

This has required a large outlay of capital.

  1. New roof on the two building.
  2. New plumbing (copper tubing.
  3. New wiring, switches, sockets, plugs.
  4. Replacement of all A/C window units, and repair and rebuilding of main A/C systems on roofs.
  5. Replacement of stair and corridor steel railings and banisters.
  6. Resurfacing of pool and replacement of heaters.
  7. New security system, including videocam surveillance and computer systems.
  8. Replacement of one half of all wall joists and drywall in each front office.
  9. Replacement of two-thirds of all wall joists and drywall in each of seventy guest rooms.
  10. Repair and replacement of kitchen equipment.

 

STAGE TWO: Getting the hotel ready for occupancy.

  1. New carpeting in guest rooms and all public areas.
  2. Ceramic tile cleaning, repairing and polishing in 108 guest baths.
  3. New wi-fi wiring and routing system.
  4. Furniture repair and refurbishment in all guest rooms and public areas.
  5. Cabinetry and counter repair and re-laminating in all guest rooms.
  6. Fixture cleaning and restoration in all guest rooms, public areas and meeting rooms.
  7. Landscape revitalizations: clearing out, pruning, replanting, etc.
  8. Re-asphalting, striping and marking of parking and no-parking areas.

 

STAGE THREE: Repainting and refinishing of all exterior and interior surfaces.

  1. Cleaning and repairing of al wood and concrete surfaces.
  2. Prepping all surfaces: filling, patching, sanding, etc.
  3. Priming all metal surfaces, new lumber, bare metal, and stripped surfaces.
  4. Priming all new drywall and floating seams between new and existing drywall sections.
  5. Spray painting exterior walls, floors, doors, etc.
  6. Spray varnishing and clear coating all exterior wood decking, benches, built-in seating, fences, railings, signage frames, etc.
  7. Brushing or rolling of all fascia and trims.
  8. Popcorn spraying interior ceilings of front lobby, halls, offices, restaurant, public rooms, and meeting rooms.
  9. Spray painting all interior ceilings, walls, doors and trim in guest rooms and public areas.
  10. Brushing/rolling interior trim, wainscoting, baseboard, etc.
  11. Refinishing all wood cabinetry, shelving, mirror frames.
  12. Refinishing all wood furniture in public areas, also restaurant and two meeting rooms.

 

STAGE FOUR: Decorative finishing and covering of select areas.

  1. Marbleizing tops of tables in lobby, office reception area, meeting rooms’ central lounge.
  2. Installing wallpaper on back rotunda wall of front desk area.
  3. Faux finishing one wall in each bathroom of front office wing.
  4. Installing commercial grade wall vinyl in all public restrooms.
  5. Installing Indy-500 3-D scenic mural on main corridor of wall entering restaurant.

 

The 108-room hotel will reopen on November 1, 2017, in time for the holidays.

 

Several new, alluring amenities will grace the premises:

  1. Cyber library and graphics studio.
  2. Children’s WI -FI, 3-D “Pit Stop” studio.
  3. Self-service snack/night bar = foods, non-alcoholic beverages.
  4. Self-service laundry and dry cleaning center.
  5. Enclosed meditation flower garden and bird and butterfly sanctuary.

 

Terry, the oldest of the cousins in this new venture, becomes very animated when he talks about the hotel. At 54, he says that he has been learning many new lessons during “this exciting process.”

 

A few facts: Approximate cost of Stages 1-3: $2.1 million:

 

Construction management company: Over 30 years hotel/resort renovation experience.

Subcontractors: Selected per industry recommendations. No bidding.

Project tradespersons: All hired through respective local union offices.

New staff painter/decorator: Selected from painting crews that have worked on the project.

 

Question: How many other smaller hotels need a fresh, new start in life?

 

My belief: Older commercial properties hold just as much promise as older houses.

 

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Revitalizing and reusing older properties and structures deserves more of our attention.

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Thank you for visiting “Painting with Bob.”

Copyright 2017. Robert D. Hajtovik. All rights reserved.

Paintshop: Selecting Paint Colors Using Online Chip Catalogs

Shopping for the best paint color for a surface or area is only a CLICK away. Via the internet, you can search any major or specialty paint manufacturer’s website.

 

And, you can access their complete color chip catalog, including each color’s name and product number.

 

Usually, the paint chips will be organized by color family. Also, they will be categorized by certain criteria.

 

  1. Surface – interior or exterior.
  2. Substrate – e.g. wood, masonry. Metal.
  3. Paint sheen/finish – e.g. flat/matte, eggshell , satin, semi-gloss, gloss, high-gloss.
  4. Paint type – e.g. latex, oil-base, acrylic latex, primer/finish duo.
  5. Environment/climate – eg. dry, wet, humid/tropic, cold.
  6. Unique features.
  7. Paint quality – e.g. good, superior, premium, heavy duty.

 

October and November tend to be the ideal time to CLICK on a paint manufacturer’s site for news about the new colors for the next year. Each color and each color combination will be shown in appropriate product-color-surface applications. By room or area.

 

EXAMPLE: Sherwin-Williams “Poised Taupe SW 6039.”

 

  1. Living room setting: The color may be shown on an accent wall.
  2. Dining room: Color may be used on the upper part of a dado wall, or old wooden chairs.
  3. Entertainment room: Color may be applied in alternate vertical stripes on a wall.
  4. Master bedroom suite: Color may be used on a recessed wall or alcove.
  5. House masonry exterior: Color may be used as predominant color, or trim color.

 

For real excitement, try the virtual, or 3-D visualization, capability available on most paint manufacturer’s sites.

 

  1. CLICK on the chip of color you are considering.
  2. CLICK on the type of room or area in which you want to use the color.
  3. See how the color might actually look.
  4. See how your chosen paint color might be combined with other colors for total effect.
  5. See how your color might look in rooms of different styles or with decor – eg. traditional, provincial, contemporary, eclectic.
  6. See how your color might look under different light exposures – eg. full sun, partial sun, partial shade, or full shade room or wall.

 

In my opinion: Nothing beats the visit to the paint store to find the exact color that you need.

 

Still, shopping online first can save a lot of time and money. And, when the color needs to be approved by someone else, a few strategic CLICKS and PRINTs in color can save you a lot  of grief – and repainting – later on.

 

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Chip away at correct color selection by first CLICKing on paint chips.

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Many thanks for visiting “Painting with Bob.”

Copyright 2016. Robert D. Hajtovik. All rights reserved.

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